Recycle Reuse & Repurpose

Glass Jar Photo Frames05-step-5

In South Africa, recycling is a way of life that not very many people incorporate into their daily routine. Partly because we do not have the facilities or many places that offer this service, but mainly because most people are too lazy to think about what happens to their rubbish once they toss it in the bin.

So instead of carelessly dumping your trash, one of the ways you can help give used things a second life, is to reuse your glass jars, and use them as novelty photo frames.

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today i give you special deal; two for the price of one.

lesson 3 & 4 were just as mesmerizing as the previous two. yes, i said mesmerizing. i would be lying if i told you i haven’t absolutely LOVED this course so far. maybe i’m a photography nerd? do you get those? if you do, i’m convinced that i am one. i would also be lying if i said that it’s been easy. there have definitely been those frustrating moments where what i see in my head and how the photograph actually turns out haven’t quite met up. but i have come to terms with the fact that it’s all part of the creative process.

clearly our classes have finally gotten to the point i’ve seriously been looking forward to; the place where we are allowed to use our creativity. lesson 3 covered learning to understand and master creative choices ie.; working with aperture to produce the envisioned DOF (depth of field), shutter speed to produce the effect of freezing the moment or showing movement. we were taught how a higher ISO setting can be helpful in lower light settings.

AND THEN, wait for it…the Grey Card! what a useful piece of grey cardboard. it’s so useful because it is 18% reflective, meaning it absorbs & reflects the perfect amount of light so as to give us a perfect average of the light falling on our subject. perfect exposure! that’s if you can effectively hold the grey card tilted to the right angle in one hand and hold your camera balancing your light meter with the other. did i mention this glorious course is strengthening my hand eye coordination too? anyway, the point is, the bride’s dress will be white instead of blue and the groom’s tux will be black instead of grey. a wonderful, cost effective substitute for an electronic hand-held light meter.

on to lesson 4 where we learned about flash photography. i learned that the little pop-up flash on my Canon can be quite effective at filling in light where awkward shadows would usually sit. here i was, thinking that flash on my camera was the devil when actually it’s a wonderful little added extra to everything else my nifty camera can do. of course, again, it’s not as simple as popping the flash up and snapping away. we were informed of “GN” (Guide Number – the power output of the flash), “fall off” and “flash synchronisation speed” and my favourite, TTL (Through The Lens flash exposure metering). what i can say is that i’m a fan of this “TTL”. basically, because this feature is built into my digital camera i don’t have to do a bunch of on-the-spot maths calculations to figure out the flash intensity needed. film is GREAT, i’m sure. but I don’t like maths.

i also learned i really want a “bounce flash”.

when it came to composition we were given some “rules” or “essential tips” (if you don’t like rules). there’s the “rule of thirds” and “power points”. creating effective photographs often means simplifying and usually choosing one COI (Center Of Interest). as a photographer you have to preconceive the image you want and then you have to guide the viewers eye to your “point” with your use of colour, contrast, leading lines and camera angles. simplifying your image does not equal simplifying your thought processes before you make the photograph.

and that’s why we don’t simply take photographs. we MAKE them.

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i realise a little more with every class that every penny i earn from now on will likely be spent on some or other piece of camera equipment. every lens we were introduced to at our last class sounded essential. i’m pretty sure i need at LEAST; a portrait lens, a telephoto lens, a macro lens, 2 ultra wide angle lenses and a fish eye lens as a cherry on the top (and that’s just to start). i haven’t told my husband what lenses cost, i just said “expensive”. for now i’ll have to be content with my little 18mm – 55mm “kit lens”.

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a friend recently asked me to describe myself in a few words. i said “commitment-phobe-but-recently-married, adventurer. i am constantly looking for ways to quench my thirst for change and new experiences. my latest exploration comes in the form of photography. i’m a noob at it. if you don’t think photography really classifies as “hard-core”, wait till you hear the jargon.

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In this issue:

Our featured reader’s portfolio is by Gavin Falck

5 Ways to fall in love with photography again

See the latest products releases and industry news in Scoop.

We learn about the White Balance.

Click here to read this issue.

Please leave your thoughts and comments below or send them to magazine@photocomment.net.

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In this issue:

We take a look at some of the Gold Award Winners from the Sony Profoto Awards.

See the latest releases in Scoop.

We review:

Nikon Coolpix S3000

We learn about the Van Dyk Brown and Cyanotype Printing Methods.

Click here to read this issue.

Please leave your thoughts and comments below or send them to magazine@photocomment.net.

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In this issue:

We feature Frank Krummacher in our Professional Portfolio.

See the latest releases in Scoop.

We review:

Sony Cyber-Shot DSC-HX5

Nikon Coolpix S1000PJ

We learn about Zoo Photography in the Technique Section

Click here to read this issue.

Please leave your thoughts and comments below or send them to magazine@photocomment.net.

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september 2009 coverAlthough it is a few days late, the new issue of PhotoComment Magazine will be live today. It is well worth the wait as we feature Christine Meintjes in our Pro Portfolio, one of SA’s most sought after wedding photographers. Our readers portfolio features Laetitia Kenny.

We review the new Sony Alpha A550, and learn about some basic mistakes made when starting out in photography.

Enjoy  the issue and please leave your comments here on photocomment.net or mail them to magazine@photocomment.net

You can read the magazine by clicking on the ‘Current Issue’ button at the top of the page.

Regards

GregW

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orange_thumbnail_thumbnail

It has only been a few months that I have been shooting digital seriously and in this brief period of time I have discovered one major flaw… choice.

Before the revolution of CCD, photographers were in many ways limited in regards to their creativity. Sure we had many choices in terms of film, but your choice was really based on what characteristics you knew the various films would give you and more than that was dependant upon your relationship with your lab.

Today with digital that is not the case. Before you either carried two bodies – one for colour and one B&W – or you lived with the choice of either. Today when you shoot digital, specifically SLR, who make that choice on the PC and this is where I lack the power to choose. I frequently find myself torn between the colour image or converting it to black and white, often doing both or passing on to the next image where the debate begin once more. Today I began an experiment to help phase out that choice. I have begun shooting with and orange filter.

The images attached to this article demonstrate the trial run. I found that there was more detail in this image than there was in the colour version converted from there. Though I am still playing with the idea, the one thing that I found right away, once shot with orange there is only one way to go – Black and White.

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