Sony SLT-A77 Advert

Canon has announced a new digital SLR in the form of the Canon EOS 500D. The new camera offers consumers and new SLR buyers a 15.1 MP APS-C size CMOS sensor, 3.0 inch 920,000 pixel LCD screen, ISO sensitivity to 12800 and with the inclusion of the recently launched DIGIC 4 processor the new EOS 500D can record video at full 1080P HD. The question now left to be asked is how long till the EOS 50D is replaced with something that shoots video?

15.1 Megapixels and Full HD – tell the full story with the EOS 500D

Telling the full story often means finding an extra angle on your subject. With 15.1 Megapixels and Full HD video capability, the EOS 500D is a digital SLR for those who want to capture more than one side to life’s significant moments.

A resolution of 15.1 Megapixels records each moment in rich, intricate detail, ready to turn into poster-size prints or crop to perfection. When light levels fall, an ISO range of up to 3200 – expandable all the way up to 12800 – lets you carry on shooting in the darkest of conditions, while Canon’s DIGIC 4 processing ensures that noise doesn’t spoil images. This is particularly ideal for when you can’t, or don’t want to, use flash.

Alternatively, switch to Movie mode and record events as they unfold. Capture every last detail of a wedding, a day out with friends or your baby’s first steps by shooting in stunning Full HD (1080P), then simply connect via HDMI to any HDTV to watch the results. For times when the action just won’t stop, a choice of 720P and VGA resolutions allows you to shoot and store longer movies on your memory card.

The EOS 500D’s high resolution 3.0” ClearView LCD screen enables detailed checks on stills and video footage in playback mode; or shooting from awkward angles using the high quality, real-time feed provided by Live View mode.

As part of the EOS system, the EOS 500D delivers full compatibility with Canon’s world-leading range of lenses and accessories; this is complimented by Canon’s free, powerful imaging software. A new flash, the Speedlite 270EX, offers a powerful addition to any EOS 500D photographer’s kitbag.

Features at a glance:

* 15.1 Megapixel APS-C CMOS sensor
* Full HD movie recording with HDMI connection
* ISO 100-3200 (expandable to 12800)
* 3.4 frames per second
* 3.0” ClearView VGA resolution LCD with Live View mode
* 9-point wide area AF
* DIGIC 4 processor
* EOS Integrated Cleaning System




PhotoComment attended the Profoto Award’s Gala Prize dinner on Thursday 19 March 2009 and was suitably impressed by the standard of photography awarded by the PPSA and their panel of judges. Watch out for our April issue of PhotoComment magazine to see the winning images and learn more about the photographers behind each lens.

Here is the official press release from Sony SA.

Sony News Release – 19 March 2009

Top photographers in Southern Africa awarded

Top professional photographers and photography students were presented with the 2008 Profoto Awards, presented by Sony, at the Wanderers Club in Illovo, Sandton on 19 March.

At a gala dinner, attended by many luminaries in the photographic industry, 152 single entries were awarded gold, silver and bronze 2008 Profoto Awards certificates in 16 different categories, and 140 portfolios were awarded gold, silver and bronze certificates in the professional and student categories. Photography students could only enter portfolios.

The 2008 Profoto Awards, the only competition for all categories of professional photography in Southern Africa, is a combined effort of Sony South Africa and the Professional Photographers of Southern Africa (PPSA) to promote professional photographers, and to acknowledge their talents and dedication.

It attracted the largest number of participants since its inception in 1989, with more than 4 000 images being submitted, fully justifying its reputation as the most prestigious and influential photographic competition on the continent. Also, for the first time in the competition’s history, entrants had to register online and post their photographs digitally.

The gala dinner was the culmination of a series of electronic messages that created much excitement and interest within the photography industry, and enabled the organisers to keep participants up-to-date with the evolvement of the competition, such as the call for entries, the closing date, the announcement of the judges and the judging process.

The public was also involved in the competition, as they were invited to predict the ‘Image of the Year’ online. Maritsa Botha voted for the correct image and by doing so won a Sony α350 DSLR kit, which included a camera body and lens.

The electronic format of the Awards enabled judges to view and judge entries anywhere in the world. Four international judges formed part of the judging team, which comprised specialists in various fields. The top finalist images, selected from over the 4 000 images, were selected on Saturday, 7 February 2009. The final judging was conducted live on Sony High Definition BRAVIA LCD TVs at Sony South Africa’s head office in Midrand.

The 2008 Profoto Awards “Image of the Year” was also selected during the final judging process. This image, a monochrome toned image of a tree frog’s foot, was taken by Hansie Oosthuizen, a professional photographer from Hermanus in the Western Cape.

According to PPSA President, Pieter de Ras, the 2008 Profoto Awards came at the right time, as many photographers hadn’t had the opportunity to have their work judged by their peers.

He added that it became very apparent at the live judging of the Profoto Awards that there are two distinct camps with regards to where professional photography is going.
“On the one side, there is the ‘traditional’ outlook where some of the judges totally dissociated themselves from any form of manipulation of the image. The other camp felt that the final result was what counted, with total disregard to ‘image manipulation’.

This is, and is going to be more of a debate, as we move further into the digital era. If a photograph has been manipulated, can we still call it a photograph, or should it then be referred to as an image?”

De Ras continued: “The judging was however a success and only the best have made it to the top.”

Following the awards ceremony, the finalists’ images will be exhibited at shopping malls in Johannesburg and Cape Town, where members of the public will be able to view the work of Southern Africa’s top photographic talent.

From 21 to 28 April, the winning 2008 Profoto Awards images will be on show in the Banking Mall Court at Sandton City, and will also be exhibited in the Upper Stuttafords Court at Canal Walk, Cape Town from 26 May to 1 June. These images will also be promoted in leading print publications, as well as on the internet and on the Profoto Awards website www.profotoawards.co.za.




It’s out and on sale now at www.mymag.co.za! The First issue of PhotoComment Magazine.

As you have probably notices the site has niot been updated as regularly as we usually do particularly during shows like PMA, and while we are very apologetic we are also certain that when you read our new online magazine you’ll understand why.

In our first issue of the new magazine we feature:

* Work from up and coming South African professional fashion photographer Kevin Mark Pass

* A reader and student portfolio feature

* Learn how too shoot long exposures, and more.

Catch us on Flickr at: http://www.flickr.com/groups/photocomment/

Or even look up the “Photocomment” group on Facebook.

In the meantime your feedback is always appreciated in the forums and on the site here at www.photocomment.net

As the routines of running a monthly magazine becomes more… well routine, we will keep the site current with news too and revamp to create a more uniform identity.

Regards

The PhotoComment Team




02/22/2009 – 17:0002/22/2009 – 20:00Etc/GMT+2

Major photo exhibition reaches Johannesburg

A HIGHLY acclaimed photographic exhibition featuring the work of eight South African documentary photographers will be shown in Johannesburg from 22 February until 15 March.

Entitled ‘Then and Now’, the collection comprises photographs taken both before and after South Africa’s transition to democracy.

The project has been initiated and curated by the photographer Paul Weinberg. The other contributors are David Goldblatt, George Hallett, Eric Miller, Cedric Nunn, Guy Tillim, Graeme Williams, and Gisèle Wulfsohn.

Almost all of them were members of Afrapix, the collective photo agency that played a central role in documenting the political conflict in the 1980s and early 1990s.

The exhibition will hang at the relaunched PhotoZA Gallery at KAMERAZ Centre in Rosebank. It is travelling South Africa as well as the United States, Europe and Australia.

Weinberg explains the project as follows: ‘During the 1980s, the overriding priority of South African documentary photographers was to record political conflict, and more personal forms of photographic expression were kept in the background.

‘The transition to democracy freed them to explore other, less political subjects, broaden their scope of their work beyond South Africa’s borders, and re-examine their approach to photography.

‘The purpose of this project is to record the contrasts — and the continuities — between their earlier and later work. The result is a fascinating record of a country in conflict, and then in a state of reconstruction and rediscovery.’

A video documentary featuring interviews with the contributing photographers will be shown at the exhibition. A book featuring the entire collection of photographs, a critical essay, and extracts from the interviews will be on sale.

Riaan de Villiers of The Highveld Press, the book’s publisher, believes the exhibition is one of the most significant photographic collections shown in South Africa in recent years. ‘It celebrates the work of eight remarkable photographers who have made a massive contribution to South African documentary photography in our time.’

• The Then & Now project is managed by the Centre for Curating the Archive in the Michaelis School of Fine Art of the University of Cape Town. It has been funded by the Conference, Workshop and Cultural Initiative (CWCI) Fund, a partnership programme between South Africa and the European Union; and the Rare Book, Manuscript, and Special Collections Library at Duke University in the United States.

For more information, contact:

Janet Wilhelm: 082 408 1917, janetwil@iafrica.com
Paul Weinberg: 082 772 2656, paul.weinberg@uct.ac.za
Riaan de Villiers: 083 702 6347, riaan@acumenps.co.za

Photographs from the exhibition are available for publication. Contact Janet Wilhelm or Riaan de Villiers, and state required size and resolution.




After a year and a half of being online, PhotoComment is taking the next big step and launching an online, monthly magazine. The first issue is due out March 2009 and will be available initially in digital format only through www.mymag.co.za.

A special pre-launch preview edition is currently viewable by clicking on the following link: http://www.mymag.co.za/files/119996209/v2.0/electromag.asp?latestIssue=4…

The magazine will be packed with top class images and quality content that in large measure is influenced by you and the feed back of what you would like to see more of. In addition to the fantastic photos we will regularly feature portfolios of professionals, students and readers.

To find out more email: magazine@photocomment.net




Profoto Awards 2008 sponsored by Sony Alpha, have officially closed and the judges have made their decisions as to which images are the best, but while we have to hear till 19 March 2009 to find out their choices you have your chance to vote.

That’s right, the awards are now open to you to vote and if you pick the same image of the year that the judges do, you stand a chance of winning a Sony Alpha 350.

All you need to do is visit the Profoto website and place your vote online so head to www.profotoawards.co.za




Professional photographers and photography students now have until 31 December to enter for the Profoto Awards, sponsored by Sony Alpha. The Professional Photographers of Southern Africa (PPSA), in collaboration with Sony, have had such overwhelming response for this competition that they have extended the closing date for entries by two weeks.

The Profoto Awards has attracted the largest number of participants since its inception, which fully justifies its reputation as the most prestigious and influential photographic competition on the continent.

The Sony Profoto Awards is the only competition for professional photographers in Southern Africa. According to Pieter de Ras, President of the PPSA, photographers in SA don’t have a platform where they can judge their abilities. “It is only when you participate in such a competition that you can really judge the standard of your work and how it compares with that of other professional photographers within the industry”, says De Ras.

Professional photographers who would like to enter the Sony Profoto Awards can do so by visiting www.profotoawards.co.za.




With the closing date of 15 December looming, professional photographers and photography students have less than two weeks to submit their entries for the Profoto Awards.

The aim of the competition, presented by the Professional Photographers of Southern Africa (PPSA) and sponsored by Sony α (pronounced Alpha), is to recognise and promote photographers for their skills and dedication to the industry. Already the Profoto Awards has attracted the largest number of participants since its inception, which fully justifies its reputation as the most prestigious and influential photographic competition on the continent.

The Sony Profoto Awards is the only competition for professional photographers in Southern Africa. According to Pieter de Ras, President of the PPSA, photographers in SA don’t have a platform where they can judge their abilities. “It is only when you participate in such a competition that you can really judge the standard of your work and how it compares with that of other professional photographers within the industry”, says De Ras.

Photographers can enter in fifteen different categories, including Advertising, Aerial, Architecture, Beauty/Fashion, Editorial/Documentary/Photo Journalism, Fine Art, Industrial, Medical and Scientific, Nude, Portraiture, Self Promotional, Sport/Action, Still Life, Musical/Theatrical,Wedding and Wildlife Environmental.

Photographers have the freedom to enter in more than one category, regardless of their trade. Photo journalists can, for example, enter in the Editorial/Documentary/ Photo Journalism category, the Sport/Action category, Portraiture or even Wildlife Environmental category.

Professional photographers who would like to enter the Sony Profoto Awards can do so by visiting www.profotoawards.co.za.




UK is pleased to introduce its new top-of-the-range premium D-SLR-the D3X. Building on the reliability, handling and durability of the award-winning D3, the D3X offers an imaging sensor with over twice the resolution of the revolutionary D3, breaking new ground in image quality.

The all-new 24.5MP CMOS sensor makes the new model eminently suitable for the broadest range of shooting situations, both in the studio and on location – ideal for photographers seeking unrivalled detail.

“This is the camera that many professional photographers have been waiting for,” said Robert Cristina, Professional Products and NPS Manager at Nikon Europe. “Just as the D3 has become the professionals’ camera of choice in sports photography, the D3X’s extremely high imaging resolution will raise the bar for commercial, fashion and stock photography. The results speak for themselves: this is without doubt our highest-quality camera to date.”

The World is Your Studio

The D3X boasts a specially-developed FX-format CMOS image sensor with 12-channel readout, gapless micro lens array and on-chip noise reduction. It delivers class-leading levels of continuous shooting speed and noise management at higher sensitivities without sacrificing detail.

The D3X supports a broad ISO range from ISO 100-1600, extendable down to ISO 50 and up to 6400 equivalent with up to 5 fps continuous shooting at full resolution, or 7 fps in the 10MP DX-crop mode. The acclaimed MultiCAM3500FX 51-point autofocus system enables extreme accuracy with outstanding dynamic tracking for fast moving subjects in low light.

The camera’s LiveView function offers a smooth workflow option, perfect for studio work or other situations where the use of the viewfinder is impractical. The camera also delivers a superb response rate, with a start-up of just 12 milliseconds and 40ms shutter lag. The Kevlar/carbon fibre composite shutter has been designed for intensive professional needs and tested to 300,000 cycles.

Images with the X factor

The D3X reaps the benefits of the very latest developments in sensor design and image processing technology. Designed to produce files suitable to meet the demands of tomorrow’s commercial and stock requirements, the camera produces 50MB 14-bit NEF (Raw) files. Using Capture NX2 software, NEF files can be processed into medium format terrain; 140MB (16-bit TIFF-RGB). Fine details are reproduced with incredible clarity, whilst shadows and highlights contain tonal gradation with minimal clipping for pictures with a unique look and feel.

Intuitive control

The D3X shares the same ergonomics and handling as the D3, which have been designed to enable anyone to get to work quickly and efficiently. The bright, uncluttered viewfinder features 100% coverage and comprehensive illuminated displays, while the high-definition, 3-inch, 920,000-dot VGA TFT monitor enables outstanding playback quality for on-the-spot image assessment. The D3X’s magnesium body, which is sealed for moisture and dust resistance, also supports Nikon’s wireless system (the WT-4), HDMI output, offers a dual slot for CF cards and is compatible with the new GP-1 GPS unit.




As you have noticed, PhotoComment is giving a lot of coverage on the Profoto Awards 2008. This is largely due to the fact that we are excited to see these awards back on the Photographic calendar since the last awards were held in 2003.

Below is a Press Release from the PPSA and Sony South Africa just to remind you professionals and students out there that entries close in just one month on 15th December 2008.

PRESS RELEASE:

Only a month left for photographers to enter for the Profoto Awards, sponsored by Sony Alpha.

(South Africa) – The opportunity for professional photographers and photography students to enter for the Profoto Awards is drawing to a close. Presented by the Professional Photographers of Southern Africa (PPSA) and sponsored by Sony Alpha, the competition closes on 15 December 2008.

As one of the largest and prestigious photographic events in Southern Africa, the Profoto Awards is a premier showcase of professional photography that recognises, rewards and promotes photographers for their unique photographic talents, skills and dedication in producing truly exceptional photographic images.

Pieter de Ras, President of the PPSA, is excited about the number of multi-award winning photographers that have already registered on the website created to support the Profoto Awards, www.profotoawards.co.za. “The Awards promises to showcase the top talent in Southern Africa, including previous winners like Michael Meyersfeld, Amy Schoeman, Helga Khol, Libby Edwards, and Bob Cnoops”.

Photographers can enter in fifteen different categories, including Advertising, Aerial, Architecture, Beauty/Fashion, Editorial/Documentary/Photo Journalism, Fine Art, Industrial, Medical and Scientific, Nude, Portraiture, Self Promotional, Sport/Action, Still Life, Musical/Theatrical,Wedding and Wildlife Environmental.

Photographers have the freedom to enter in more than one category, regardless of their trade. Photo journalists can, for example, enter in the Editorial/Documentary/ Photo Journalism category, the Sport/Action category, Portraiture or even Wildlife Environmental category.

Entries will be judged by a panel of experts, which include picture editors, graphic designers, gallery experts and various luminaries within the photographic industry.

During the judging of the Profoto Awards by Sony Alpha, the public will be invited to predict which image will be voted Image of the Year. The final judging will take place in January 2009, when the finalists’ images will be screened on High Definition BRAVIA LCD TVs at Sony’s head office in Midrand. The winners will be announced at a black tie awards ceremony in Johannesburg, in March 2009.

Following the awards ceremony, the finalists’ images will be exhibited at local shopping malls during a roadshow across the country, where members of the public will be able to view the work of Southern Africa’s photographic talent. These images will also be promoted in leading print publications, as well as on the internet.

The awards and subsequent exhibitions will showcase professional photography in Southern Africa and will pay homage to the outstanding photographic talent in the region. Professional photographers who would like to enter the Sony Profoto Awards can do so by visiting www.profotoawards.co.za.

About Sony Digital Still cameras

Sony first entered the photographic market in 1989 with the release of one of the world’s first digital cameras. Through the years Sony has continued to push the boundaries of excellence with each new addition to their range, including the market-leading Cyber-shot digital still cameras and the DSLR Sony Alpha 100, 200, 300, 350, 700 and 900 cameras. It is with great pleasure that Sony looks forward to the growing success of the Profoto Awards by Sony Alpha in years to come. For more information on Sony’s products and services, please visit www.sony.co.za.

About the PPSA

The PPSA is the representative body for professional photographers, managed and supported by voluntary members. It is the only national institute for professional photographers in Southern Africa. The PPSA promotes the interests and welfare of its members, and endeavours to improve their professional status. The PPSA represents the interest of the profession in general, by promoting high ethical standards and service to the corporate industry and general public. The PPSA promotes professional conduct by members by utilising prescribed business practice documents, and the PPSA strives to stimulate public awareness of the benefits of employing the services of professional photographers. The PPSA acts as an accrediting body within the industry and maintains a national register of PPSA members, their category of expertise and contact details.




11/20/2008 – 00:0011/23/2008 – 18:00Etc/GMT+2

When the going gets tough, the tough go shopping.

Come view the latest digital cameras to hit our shores in time for the Xmas rush at Show Prices!

Studio workshops and product launches in exciting new photo gallery space.

Show runs daily from 9am-6pm, 20th – 23rd November 2008.
Kameraz Gallery (Directly below Kameraz’ Store)
Rosebank Mews Shopping Centre
Oxford Road
Rosebank

(011) 880-2885
kameraz@netactive.co.za

For more information, check it out on Facebook by following the link below.
http://www.facebook.com/home.php?ref=logo#/event.php?eid=43989514668




Recently you have read here on PhotoComment about the 2008 Profoto Awards beginning in October, well the time has arrived and entries for the Profoto Awards 2008 presented by the PPSA (Professional Photographers of Southern Africa) and Sponsored by Sony Alpha are officially open.

Remember that you only have till the 15th of December 2008 to enter so dont delay! You can enter online at www.profotoawards.co.za or by clicking on the banner to your left.

Judging will take place in January and the winners announced in March 2009. It is also the first time in the history of the awards that the judging and presentation of the winning pictures – during the road show planned for later next year – will take place on Sony Bravia High Definition LCD televisions.

Below you will find the official press release attached. Keep checking here on PhotoComment’s website for progress and other Profoto Awards articles.




I have been a big fan of the Foveon Sensor used in the Sigma range of cameras and am pleased to see a new model coming to the floor. Now that my fears of a fading Foveon system are put to rest, perhaps I should look out for a well priced SD14 or wait to see the SD15 pricing.

Below is the Press Release:

The Sigma Corporation (COO: Kazuto Yamaki) is pleased to announce the new SIGMA SD15 digital SLR camera. This camera is the latest model in Sigma’s digital SLR camera SD series, powered by the 14 megapixel Foveon X3 direct-image-sensor it can capture all primary RGB colors at each and every pixel location arranged in three layers. The developing SD15 incorporates the “TRUE II” new image processing engine. It provides high resolution power and reproduces high definition images rich in gradation and impressive three-dimensional detail. Incorporation of the large 3.0 inch LCD monitor and improved processing speed provide ease of operation of the camera.

This product is showcased at Photokina 2008 in Koln, Germany.

Development of the SD15

Since October 2002, Sigma has introduced three digital SLR cameras, the SD9, SD10 and SD14 to the market. In March 2008 Sigma also introduced a high-end compact digital camera, the DP1 which uses the same large image sensor as is featured in Sigma’s digital SLR cameras. They have established a strong following from a wide range of photographers, both amateur and professional. Photographers expressed a desire to incorporate the image processing engine “TRUE”, which is used in the DP1, into a digital SLR camera. In order to meet this demand, the SD15, with high resolution direct image sensor, has been designed around the new “TRUE II” image processing engine. This combination delivers superior image quality as well as improved processing speed, operation and performance.




So Sigma have also announced a new Foveon based Compact Digital camera – the Sigma DP2. Now if you have just bought the Sigma DP1 dont worry, they have not replaced the DP1, the DP2 is just another model in the range featuring a longer 24.2mm f/2.8 lens – equivalent to 41mm on a 35mm SLR camera – where as the DP1 had an equivalent 28mm f/4 lens on 35mm SLR.

Press Release Below:

The Sigma Corporation (COO: Kazuto Yamaki) is pleased to announce the new Sigma DP2 compact digital camera featuring a 14 megapixel FOVEON X3 direct image sensor (2,652 × 1,768 × 3 layers) as used in the Sigma SD14 digital SLR.

Sigma introduced the DP1 with a direct image sensor as used in the Sigma SD14 digital SLR to the market in March 2008 as a “unique, groundbreaking, compact digital camera with all the power of a digital SLR”. The multi award winning DP1 has established strong support from a wide range of photographers both amateur and professional. Building on this success, the DP2 is equipped with a 24.2mm F2.8 lens, equivalent to 41mm on a 35mm SLR camera, for increasing creative possibilities and superior image quality, improving handling and performance.

This product is showcased at Photokina 2008 in Koln, Germany.

Main features

SLR-sized image sensor

The size of the image sensor used in the DP2 camera is 20.7mm x 13.8mm. It is approximately seven to twelve times larger than the 1/1.8inch to 1/2.5inch image sensors used in ordinary compact digital cameras. The pixel size of the image sensor is 7.8μm. The large photodiodes deployed at a large pixel pitch capture pure, rich light efficiently and give the DP2 its high resolution and richly-graduated tones.

Full-color image sensor

The DP2 uses the same 14 megapixel (2,652×1,768×3 layers) direct image sensor as the SD14 and DP1. Utilizing the special features of silicon, which is penetrated to different depths by different wavelengths of light, this direct image sensor succeeds in full-color capture with the full RGB in a single-pixel location. Since the moiré is not generated, use of a low-pass filter is not needed because full information of light and color can be captured with three-dimensional feeling.

“TRUE II” image processing engine

The DP2 incorporates “TRUE II” which is an improved version of “TRUE” (Three-layer Responsive Ultimate Engine), the world’s first image processing engine suited for the three silicon embedded layer direct image sensor. The unique image-processing algorithm, which has been developed throughout the development of the SD series digital SLR cameras and DP1, is incorporated into “TRUE II”.

24.2mm F2.8 lens designed exclusively for the DP2

The DP2 is equipped with a 24.2mm F2.8 lens, equivalent to 41mm on a 35mm SLR camera, which has been designed exclusively for DP2. Two molded glass aspherical lenses provide superior image quality. The Super Multi Layer Coating reduces flare and ghosting. This lens and SLR-sized image sensor combination provides natural shallow depth-of-field and attractive bokeh effect.

RAW format recording

The DP2 includes a RAW recording mode for retaining full image capture detail of the utmost quality plus a JPEG recording format for convenience. The RAW data format uses lossless compression for more compact, yet uncompromised, data files. The RAW data format of the DP2 keeps brightness and color data in a 1:1 ratio without relying on interpolation. Each pixel location captures the full color of RGB data which, when processed in Sigma Photo Pro, will preserve the balance of the natural data for the best photos with the best image quality.

Exclusive Sigma Photo Pro Software (Supplied with the DP2)

The DP2 comes complete with SIGMA Photo Pro software, a RAW image developer that converts all RAW data quickly and easily. djustments can be made in three separate modes. The X3F Mode stores the original settings of the image at the point of capture. In the Auto Adjustment Mode, the software analyzes and automatically makes adjustments to the RAW data. The Custom Mode allows the photographer to make individual adjustments. The photographer can make changes easily and quickly by simply adjusting the slider controls within the software.

Compact and lightweight body

The DP2 has compact dimensions of 113.3mm/4.5in(W)x59.5mm/2.3in(H)x54.6mm/2.1in(D). Its compact body and lightweight design makes it easy to carry everywhere.

Three metering modes and four exposure modes

The DP2 has three metering modes, Evaluative Metering, Center Weighted Average Metering and Spot Metering. It is also possible to select the exposure mode from Program AE, Shutter Priority AE, Aperture Priority AE or Manual. Exposure compensation can be set in 1/3 stop increments from +3.0 to -3.0 stops and an auto bracketing function is also available.

Pop up (manual) built-in flash

The DP2 is equipped with a pop up (manual) built-in flash. It is possible to use Normal Flash, Red-Eye Reduction Flash and Slow Synchro Mode. It also features flash exposure compensation in 1/3 stops increments.

Manual Focus

Manual Focus is available for use when autofocus or focus lock is not effective. It is also possible to magnify the display to ensure precise focusing.

Large 2.5″ TFT Color LCD Monitor

The DP2 camera features large 2.5 inch TFT color LCD monitor. The LCD monitor displays 100% of the images, allowing the photographer to easily and accurately confirm the image compensation.

Hot Shoe

The DP2 camera is equipped with a hot shoe, allowing use of the dedicated external flashgun EF-140 DG (optional) as well as Sigma electronic flashguns for SD series such as EF-500 DG and EF-530 DG. This hot shoe is also used to attach high performance view finder VF-21 (optional).
* EF-500 DG and EF-530 DG flashgun series can be used in manual mode only.

Dedicated lens hood (HA-21)

It is possible to attach the dedicated lens hood to block out extraneous light. It also functions as an adapter, designed to accept the 46mm Close-up Lens and 46mm filters.
* A hood adapter HA-21 is sold separately




Sigma has launched a few new products at Photokina 2008 including an upgraded 24-70mm f/2.8 EX DG lens that now features HSM focusing. In addition to this they have also announced the availability of the 50mm f/1.4 EX HSM lens for the Four Thirds system, the EM-140 Macro Ring Flash for Pentax and Sony as well as the 4.5mm f/2.8 EX HSM and 10mm f/2.8 EX HSM also for Pentax and Sony.

Below are the press releases.

The Sigma Corporation is pleased to announce the new 24-70mm F2.8 EX DG HSM.

This large aperture standard zoom lens covers focal lengths from 24mm and is housed in compact construction. The latest optical design provides an overall length of 94.7cm /3.7inch. It is ideal for general photography such as snapshots, portraiture and landscapes. The Super Multi Layer Coating reduces flare and ghosting. ELD (Extraordinary Low Dispersion) glass, two SLD (Special Low Dispersion) glass elements and three aspherical lenses provide excellent correction of all types of aberrations. Superior optical performance is ensured throughout the entire zoom range. This lens incorporates HSM (Hyper Sonic Motor), ensuring a quiet and high speed AF as well as full time manual focusing capability. This lens has a minimum focusing distance of 38cm/15in and a maximum magnification ratio of 1:5.3. The rounded 9 blades diaphragm creates an attractive blur. It is possible to attach the included petal-type hood to block out extraneous light.

The Sigma Corporation is pleased to announce the new ELECTRONIC FLASH MACRO EM-140 DG for Sony and Pentax cameras.

ELECTRONIC FLASH MACRO EM-140 DG is designed to work with both AF 35mm film and Digital SLR cameras. The EM-140 DG Macro Flash is ideal for photographing subjects in fine detail when the shadowless mode is used and is extremely effective for scientific and medical applications. Dual flash tubes can fire simultaneously or separately. Using only one flashtube creates shadow, which can give a three-dimensional feeling to the subject. The flash features a guide number of 14 w/ISO 100. The Modeling Flash function makes it possible to check for reflections and shadows before actually taking the flash picture. A wireless flash function is also available, when the EM-140 DG is used as master and the EF-530 DG SUPER as a slave unit for creating fine shadow details. High Speed Synchro and Exposure compensation functions are also available for advanced flash photography.


The Sigma Corporation is pleased to announce the launch of the 4.5mm F2.8 EX DC CIRCULAR FISHEYE HSM the first Circular Fisheye lens exclusively for use with APS-C size digital SLR cameras and 10mm F2.8 EX DC FISHEYE HSM diagonal fisheye lens exclusively for use with APS-C size digital SLR cameras for Sony and Pentax fitting cameras.




Leica has announced a new system to their range with the Leica S2. With a 37.5 megapixel sensor measuring 30x45mm in size – thats more than 50% larger than a standard 35mm full frame sensor – the Leica S2 system is aimed to offer a superior alternative to full frame DSLRs and even medium format backs for professional photographer.

Below in as summary of the system from Leica S-System site which you can check out here at http://www.s.leica-camera.com to learn more.

INNOVATIVE DIGITAL TECHNOLOGY AND THE HEART OF A CLASSIC.

Leica has once again revolutionized the world of photography with a digital S-System that’s perfect for professional use. The Leica S2, with its premium AF objectives including everything from ultra wide to super telephoto, is an absolute photographic highlight. The digital SLR camera has a special new sensor with 30 x 45 mm and 37.5 megapixels. The S2’s metal body is appreciably smaller and easier to carry than similar models from other camera brands, and yet it’s also nearly twice as fast thanks to ultra modern processor technology.

With the S2, Leica has created an entirely new class of camera – technically innovative but incredibly flexible thanks to a wide selection of accessories. It’s a must for every professional photographer who is looking to upgrade from standard 35mm SLR systems.




Pentax has announced a new entry level Digital SLR as part of their growing – and improving – digital SLR range of cameras. Below you will find part of the press release or you can go to the link below for more.
http://www.pentax.jp/english/news/2008/200819.html

HOYA CORPORATION PENTAX Imaging Systems Division is pleased to announce the launch of the PENTAX K-m digital SLR camera. Designed primarily for beginning digital SLR photographers, this new entry-class model offers simplified, user-friendly operation, and an easy-to-maneuver compact, lightweight body.

The PENTAX K-m was developed as an entry-class digital SLR camera offering simple, straightforward operation, making it possible for first-time digital SLR users and family photographers to enjoy high-quality digital SLR photography with little trouble or confusion.

It features an upgraded version of the PENTAX-original Auto Picture mode, which automatically detects the type of subject or scene, and sets the proper shooting mode for the photographer. It also features a host of advanced features and sophisticated functions — including the innovative in-body Shake Reduction mechanism — to assist the photographer. It also offers a compact, lightweight body, designed by incorporating PENTAX’s advanced downsizing technologies, accumulated over the years of digital SLR development, into different body parts. As a result, the PENTAX K-m assures simple operation and outstanding operability, even for inexperienced first-time digital SLR users.

Along with the PENTAX K-m, PENTAX will also launch two DA L-series interchangeable zoom lenses: the smc PENTAX-DA L 18-55mmF3.5-5.6AL and the smc PENTAX-DA L 50-200mmF4-5.6ED. Designed for exclusive use with PENTAX digital SLR cameras, these DA L-series lenses are designed to be more compact and lightweight than conventional counterparts, without sacrificing any of the exceptional optical performance common to all PENTAX lenses.

Note:
The smc PENTAX-DA L 18-55mmF3.5-5.6AL and smc PENTAX-DA L 50-200mmF4-5.6ED lenses will be marketed only as a part of the PENTAX K-m Lens Kit or PENTAX K-m Double Zoom Kit.


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