Article by Scott Hutchison

Tristan Hall asked me last week if I would like to give my thoughts and feelings on the Leica M9. He told me that I would have free reign on length, but that I should write an article – and include some pictures – that I would be interested in reading.

“Wonderful!” I thought. “A chance to have my feelings about the pinnacle of German consumer photographic technology be read by the fine fans of PhotoComment.net and by people all around the planet!” Little did Tristan know that he had just requested work by an illiterate Canadian massage therapist/photographer who likes to shoot Sony DSLRs, film rangefinders, iPhones, and has a tendency to have his sentences run on and on… So don’t be surprised if car crashes, explosions, and full-frontal nudity find their way into my Leica M9 camera review, or – at the very least – some spelling and grammatical errors. And “review” might also be too strong of a word… Perhaps a word such as “confession” would be better suited.

Continue reading »




Sony SLT-A77 Advert

I like rangefinder cameras, I really do, but I am not so sure that I get so excited about the announcement of new Leica’s these days like the new M9-P. I mean, sure its slightly smaller than the other M9 (which will continue and is not discontinued) and sure it lack the Leica Red Dot logo and I like that its aimed at being more discreet but I just cannot swallow the price that competes with my car.

In addition to the new M9-P Leica have announced a new Super-Elmar M lens in the form of the 21mm f/3.4. Full press release after the break.

Continue reading »





The guys at Leica are running a rather interesting campaign. They seem to have teamed up with street trial pro rider (ask Greg for more details, he’s been in the mountain bike, BMX scene before) Danny MacAskill who is exploring the mother city (Cape Town) and doing some crazy stunts. What the video and vote on what stunt you want Danny to perform next. You could win yourself a Leica. For more check out the Leica Blog. Voting for the above second video (part 2) ends on May 24th.




This has got to be one of the most interesting videos I have seen in some time, the bloopers at the end in particular are great. Enjoy, just for fun.

Posted from WordPress for Android using Samsung Galaxy Tab




If you were not aware of it previously, Russian President Dmitry Medvedev has a great interest in photography. In this video he shares how he began in photography and what gear he uses. He also talks briefly about his experience with Leica’s S2 from what we can tell.

We spotted this video initially on PetaPixel




Leica have launched a blog that follows their 10 winners who are walking in the footsteps of 10 great explorers. Armed with Leica’s V-Lux2 these explorers are documenting their modern day journeys and sharing them with us through this fantastic website. Why not check it out here.




The renowned photographic competition, the Leica Oskar Barnack Award will be announced for the 32nd time in the year 2011. Entries (professional photographers only) for the Leica Oskar Barnack Award 2011 will be accepted as online submissions between 15 January and 1 March 2011. Entries for the Leica Oskar Barnack NEWCOMER Award are open to all (prospective) photographers who are aged 25 years and under.

Continue reading »




And the camera accessories keep coming in.

This find is a “film role cozy” lovingly formed as a Leica by “So Cute It Hurts”.

So how do you dress your camera gear up?




TudorTech, the South African Distributors for Leica, have announced the V Lux 2 is available in South Africa. This camera was released at Photokina and features a 24x optical zoom or rather a DC VARIO-ELMARIT lens. The effective range is 25-600mm. There is 14mp CMOS Sensor which also allows the camera to capture AVCHD Videos and frame rates of 11fps at the full 14mp resolution through to 60fps at 2.8mp resolution.

Full press release after the break.

Continue reading »




Leica have unveiled a new Compact in the form of the V-LUX20. Like most compact ‘consumer’ Leica cameras this is remarkably similar to a Panasonic – the TZ10/ZS7 to be precise – with a bigger price tag and in this case, one or two inferior features, the main one being that of the 720p HD video being in Motion JPEG format rather than AVCHD. One great feature insluded in this camera is GPS for Geotagging of photographs.

The summary of features:

  • 12.1 MP sensor
  • 12x Optical zoom (giving the equivilent of 25-300mm)
  • 3″ LCD at 460K resolution

You can view more on the camera at Leica’s site.




Leica_M9_On 09-09-09 Leica Camera AG announced the world’s first digital rangefinder camera with a full-frame 24 x 36mm sensor. As the world’s smallest full-frame system camera, the LEICA M9 continues the long heritage of the Leica rangefinder system, and unites more than 50 years of continuous technical improvements to the M System with cutting-edge digital technology.

The successful combination of a high-resolution image sensor, the superior performance of Leica M lenses and sophisticated processing ensures the best imaging results, making the camera perfect for all fields of photography from reportage and ‘available light’ to the capture of discreet, spontaneous images.

The 18 megapixel image sensor, specifically designed and developed for the M9, enables capture of the full 35-mm film format without any compromise. All M lenses mounted on the LEICA M9 therefore offer the same focal length as originally intended, and the enormous potential performance of the current M lens portfolio, with focal lengths from 16 to 135mm, is now fully exploited in an M digital camera for the very first time.

Furthermore, the M9 sensor features a newly developed glass sensor cover designed to guarantee the suppression of the infrared portion of the light spectrum, avoiding the need to mount special UV/IR filters.

Leica has listened to photographers’ requests for quick access to essential features on the M9. One example is the new ISO adjustment button, which simply requires the user to hold down the ISO button whilst turning the dial to select the required setting – rather than having to access it via a menu. In addition, all other functions important for everyday photography are accessible by pressing the set button.

At just 139 × 37 × 80mm, the LEICA M9 maintains the compact size of the LEICA M8, despite the considerably larger sensor. The robust, one-piece, full metal housing, made from a high-strength magnesium alloy, combined with a solid brass top and bottom plate, provide perfect protection for the camera in all photographic situations. For photographers, this all adds up to absolute reliability over decades of use.

The LEICA M9 is available in two different styles: a standard black with ‘vulkanit’ finish, and for the first time, a version in steel-grey with classic leatherette finish.

M9 Sensor

The CCD, specially developed by Kodak for the LEICA M9, has been optimised to exploit the particular qualities of the Leica M lens system. As a result, the LEICA M9 achieves the highest resolution values, which in turn guarantee outstanding image quality.

The M9 sensor employs further advanced and meticulously-designed micro lenses with a low refractive index. The micro lenses at the sensor edges are laterally displaced towards the image centre to match the characteristics of M lenses precisely. This optimised micro lens design captures and concentrates even the most oblique rays on the sensor, and reliably prevents image brightness fall-off at the edges and corners of the image. As a result, all existing Leica M lenses maintain their full performance when used for digital photography.

A moiré filter has not been integrated, allowing full exploitation of the superb resolution of Leica M lenses. Any moiré patterns occurring are eliminated in the camera’s signal processing software. The optimised signal–noise ratio reduces the need for digital post-processing, and results in high-contrast, high-resolution exposures with natural colour rendition from corner to corner.

Lenses

Performance criteria, such as the individual coating of each element, have long been a Leica standard. For the first time, the immense performance potential of the M lenses is fully maintained and can be exploited for digital photography. In line with Leica’s commitment to system compatibility, almost all Leica M lenses built since 1954 can still be used on the new M9, as a result of their mechanical and optical precision.

The M9 sensor demands a particularly high spatial resolution, as offered by the latest M lenses. Their high resolution and efficient correction of optical aberrations make them all the more suitable for digital use. Current M lenses are supplied with a 6-bit code on the bayonet mount that is scanned optically by the M9. Using this coding, the M9 can compensate for any vignetting effects, if required. In addition, the lens type is recorded in the EXIF data and, when using the latest flash units such as the LEICA SF 58, automatically adjusts the reflector to match the focal length of the lens attached.

The viewfinder / rangefinder system

The Leica viewfinder / rangefinder system sets the LEICA M9 apart from SLR and compact digital cameras and makes it particularly suitable for reportage, ‘available light’ and discreet portraiture. Photographers become part of the action and frame their subject in the viewfinder, while still being able to see the full scene outside the viewfinder frame. The decisive moment can be anticipated and captured at precisely the right instant, resulting in particularly authentic images.

The clear view of the subject remains during the full exposure and, even in the most adverse lighting conditions, the bright, high-contrast viewfinder guarantees extremely fast and precise focusing. The minimal delay between shutter release and capturing the shot, together with the viewfinder / rangefinder system, positions Leica M cameras amongst the fastest in the world.

Shutter

The LEICA M9 features a new, microprocessor-controlled, particularly silent, metal-leaf, focal-plane shutter that enables shutter speeds of up to 1/4000 seconds. This means that the photographer still has complete creative freedom by using selective focus at maximum apertures, even in bright situations. The short flash synchronisation speed of 1/180 seconds enables daylight flash exposures with selective focus.

Together with its compact form, the camera’s almost silent shutter is another enormous advantage for discreet and unobtrusive photography. Photographers can also select the appropriate moment for re-cocking the shutter. When longer exposure times requiring an extremely steady camera stance are essential, a slight pressure on the shutter release button in ‘soft release’ mode is sufficient.

Intuitive handling

The M9 offers a simple, clearly laid-out and intuitive menu system that concentrates purely on the essentials; eliminating any multifunction buttons or complex menu hierarchies. The key control is an intuitive four-way switch and dial combination that enables fast menu navigation. Pressing the set button calls up the capture menu on the 2.5″ monitor, and the most commonly-used functions are quickly and easily set in the menu: sensor sensitivity, exposure correction, white balance, image-data compression and resolution. Furthermore, favourite profiles can be named and saved for quick and easy access.

Sensitivity ranges from ISO 80 for wide-open apertures on bright days to ISO 2500. Very low-noise and finely detailed images are achieved throughout the sensitivity range, even at the highest settings, while the low noise characteristics, low-vibration shutter and fast lenses make the M9 the perfect camera for ‘available light’ photography.

Innovative flash technology

The LEICA M9’s M-TTL flash technology enables both precise and creative control over flash and mixed lighting effects. Prior to the actual exposure, a measuring flash is emitted that is metered through the lens. The flash power is then precisely determined according to the natural lighting situation. Due to the precise and delicate level of flash illumination, the natural lighting mood is maintained. In combination with aperture priority exposure mode, the auto-slow sync function ensures a particularly subtle lighting of the subject.

Tonal value histogram

The LEICA M9 offers an RGB tonal value histogram, which can be displayed at any time for image assessment, and is available in conjunction with automatic image review. A clipping warning indicating any overexposure of the image is also included. These two quality control tools are updated during zooming, allowing the quality of even the finest image details to be assessed.

Digital workflow

Adobe Photoshop Lightroom, a professional digital workflow solution for Apple Mac OS X and Microsoft Windows, is available as an online download for all LEICA M9 customers. Adobe Photoshop Lightroom offers a vast range of functions for the management, processing and presentation of digital images, whether in JPEG or DNG format. If the images are saved as raw data in Adobe Digital Negative Format (DNG), Adobe Photoshop Lightroom guarantees direct and high-quality image processing with maximum image quality. The 14-bit-per-channel colour information captured by the image sensor is maintained throughout the processing workflow until the final presentation, and ensures that the most delicate tonal differences are preserved.

Build quality and materials

Experienced Leica technicians in Germany are responsible for the assembly and calibration of the M9 camera bodies, as well as the precise testing of all mechanical and electrical components. In addition to the solid brass top and base plate and magnesium alloy body, several other structural features of the camera will ensure a long and reliable working life. The rechargeable battery and SD card slot are protected from dust and moisture under the base plate, while the locking mechanism prevents unintentional opening and the possible loss of the battery and SD card, even under the hardest reportage conditions.

Sensor cleaning

The LEICA M9 offers a special function for manual sensor cleaning: selecting the appropriate item from the menu and pressing the shutter release locks the shutter open to allow access to the sensor for cleaning purposes. Thanks to the short register of Leica M cameras, the sensor is easier to access than in a DSLR camera, where the sensor is located behind the mirror box and shutter assembly.




LEICAX1Leica Camera AG has announced the X1. Designed and made in Germany by Leica engineers, this camera is set to become a future classic. The desirable LEICA X1 achieves exceptionally high resolution and quality for a camera of such small dimensions, and will set new standards.

The LEICA X1 is equipped with a 12.2 megapixel CMOS sensor in APS-C format, as found in much larger DSLR cameras. This sensor, combined with the all-purpose LEICA ELMARIT 1:2.8/24 mm lens, offers outstanding picture quality comparable with professional cameras. Furthermore, the X1’s technical specifications and broad spectrum of setting options – from manual to automatic operation – makes it a perfect companion for creative photographers, while the compact size means it can be carried at all times – ideal for capturing those unique, spontaneous moments in life.

The large sensor area of the individual pixels on the CMOS sensor receive more light, guaranteeing low noise levels, high dynamic range and accurate colour differentiation. The crop factor of the sensor is 1.5 in comparison with 35mm film format, which means the fixed-mount LEICA ELMARIT 1:2.8/24 mm lens is transformed into a universal reportage lens with an effective (35mm equivalent) focal length of 36mm. This is a true classic amongst prime lenses and has captured innumerable iconic images in history.

Peter Kruschewski, product manager digital compact cameras at Leica Camera AG, commented, “The LEICA ELMARIT 1:2.8/24 ASPH is a true Leica lens with terrific optical performance. Its moderate wide-angle character creates sufficient distance when needed, but still allows photographers to get in close to pick out the details whenever the situation requires. This lens ensures that photographers won’t miss any shot, situation or detail, however fine.”

The straightforward design of the X1 is strongly reminiscent of the legendary Leica M cameras. This, in combination with its robust, all-metal construction and tactile, high-quality leather trim, makes the X1 typically ‘Leica’.

The LEICA X1 offers clearly laid-out, intuitive functions. For ‘uncomplicated’ photography, the X1 offers numerous automatic features ranging from precise autofocus to automatic exposure, guaranteeing photographers perfectly exposed, sharp images by simply pressing the shutter release. This allows the user to concentrate on the creative aspects of composition and framing.

Thanks to its numerous automatic functions, the X1 is always quick and versatile whenever the need arises. Photographers can also achieve creative freedom with the camera’s manual control options. Both aperture and shutter speed can be selected manually with the easy-to-use dials on the top plate of the camera. Even the plane of focus can be set manually, along with white balance and various other image capture parameters. Consequently, the X1 offers photographers complete manual control of the creative process while also guaranteeing rapid reaction ability with its automatic functions, when required.

The large size of the sensor, a maximum sensitivity of ISO 3200 and large aperture make the LEICA X1 an ideal choice for ‘available light’ photography. Whether in adverse lighting conditions, or for conscious manipulation of depth of focus, the X1 offers numerous options for individual and creative composition.

The bright 2.7” display of the X1 almost fills the entire back of the camera and reveals the finest details, even in bright surroundings. The live-view function replaces an optical viewfinder and shows an accurate preview with all essential image information. The Live Mode also makes the X1 particularly versatile for shots taken from unusual perspectives.




Leica has announced a new system to their range with the Leica S2. With a 37.5 megapixel sensor measuring 30x45mm in size – thats more than 50% larger than a standard 35mm full frame sensor – the Leica S2 system is aimed to offer a superior alternative to full frame DSLRs and even medium format backs for professional photographer.

Below in as summary of the system from Leica S-System site which you can check out here at http://www.s.leica-camera.com to learn more.

INNOVATIVE DIGITAL TECHNOLOGY AND THE HEART OF A CLASSIC.

Leica has once again revolutionized the world of photography with a digital S-System that’s perfect for professional use. The Leica S2, with its premium AF objectives including everything from ultra wide to super telephoto, is an absolute photographic highlight. The digital SLR camera has a special new sensor with 30 x 45 mm and 37.5 megapixels. The S2’s metal body is appreciably smaller and easier to carry than similar models from other camera brands, and yet it’s also nearly twice as fast thanks to ultra modern processor technology.

With the S2, Leica has created an entirely new class of camera – technically innovative but incredibly flexible thanks to a wide selection of accessories. It’s a must for every professional photographer who is looking to upgrade from standard 35mm SLR systems.




Leica M8 or R9? This was the question raised in a camera store I visited earlier this week and the discussion that followed between the customer, store owner and myself prompted me to re-phrase the question and chat about the real issue or core of the debate, Rangefinder or Single Lens Reflex?

In the conversation at the shop, the customer who raised this question stated that his friend had mentioned that the M8 would be a better purchase than the R9 he had been considering particularly in regards to it’s ability to perform as a digital camera in comparison to the dual medium R9 – at least that is what the store owner and I understood from his statement concerning his friend and that led to me joining the discussion.

As some of you know, I am a fan of rangefinder cameras, and the debate for me should not be the ability of these two cameras to capture better digital images, but rather on the very different design factors involved and how they would affect the user. The issue is why should I choose a rangefinder over an SLR? What are the pros and cons? What is my preferred subject matter? Which system will help me more easily attain the level of expression I wish to achieve?

Here are my thoughts on the uses of these two different systems and where they have their place in the various styles of photography that I pursue.

Rangefinder

Among photographers Henri Cartier Bresson was probably the best known rangefinder user to date and in all his work he sought to capture what he defined as the “decisive moment”. Why was the rangefinder his chosen tool? In part it was due to the fact that Leica’s rangefinders pioneered the 35mm movement and were for some time the most refined 35mm cameras on the market, but in time SLR’s became available and yet his preference did not change. My personal view is that the quiet shutter and relatively compact size of the rangefinder made this style of camera the better choice for candid photography.

Another benefit in favour of rangefinders is the lack of a reflex mirror. This allows for a minimal delay between the depressing of the shutter button to the opening of the shutter to expose the image. Yes the delay may be minimal but when your goal is to catch the decisive moment every split second counts.

Some people have stated that a rangefinder focusing system is difficult to use. Though it takes time to get use to, the one advantage I have found is that the brightness of the viewfinder is never affected by the maximum aperture of your lens, a plus in low light when you don’t have fast lenses.

Certainly the only way one can truly learn and appreciate the benefits of working with a rangefinder is to use one with an open mind and you will soon see if it works for you. I think that any person wanting to shoot candid portraits, be compact in their travels or seek the sharpest wide angle lenses for their landscapes could do well to investigate a rangefinder. There is also the nostalgia of the classic feel and knowing that this is the system that many great photo journalists used to capture their stories.

From a technical aspect, it has always been easier to produce sharper optics for a camera that has no reflex mirror or obstructions between the rear element and the film. One challenge however was how to get an accurate light meter reading through the lens – something Leica began to correct with their M5 – and the issue of parallax error has always made some users skeptical about how close they could get without risking chopping off heads.

Single Lens Reflex

Yes, rangefinders are not perfect and so for many of us; there will always be place for the versatile SLR. One of the greatest strengths for this system is the fact that straight away you are seeing what the lens sees, and it is easier to include a light meter that would read through the lens. With the number of SLR manufactures and independent lens makers, owners of SLR cameras were quickly spoilt with choice and the added benefit of longer telephotos than had ever been dared for rangefinders, moving photo journalists further from harms way.

This did have its weakness though, as camera bags have become bigger and bigger as more lenses were bought and had to be accommodated on vacations or trips for fear of missing any shot. So the modern day zooms where born to reaffirm the SLR’s dominance as the most convenient system and though at first the optical quality was questionable many zooms today give rather impressive results.

Ultimately, if you want to shoot sports, wildlife, events or just generally get into photography, there is no other option and certainly no more versatility than that of the 35mm Single Lens Reflex, or the digital equivalent of today.

Conclusion

I hope that I have been able to highlight some of the issues at hand regarding the choice of SLR or Rangefinder. Ultimately the decision will come down to what you prefer and the type of photography you wish to create. One thing is for certain however, that in terms of Single Lens Reflex cameras the photographers of today have no lack of choice. It is just sad to see that there are not even half the number of manufactures for rangefinders as SLR’s, yet alone the fact that there are no truly affordable rangefinder systems available – certainly not here in South Africa.


Afrigator